Miles George, Thomas Goode Tucker, and Edgar Allan Poe were friends from the University of Virginia. Preferring poetry over profits, Poe reportedly wrote poems on the back of some of Allan’s business papers. Edgar and Frances seemed to form a bond, but he had a more difficult relationship with John.īy age 13, Poe was a prolific poet, but his literary talents were discouraged by his headmaster and by John, who preferred that young Edgar follow him in the family business. John was a successful tobacco merchant there. Separated from his brother, William, and sister, Rosalie, Poe went to live with his foster parents, John and Frances Allan, in Richmond, Virginia. His father left the family early in Edgar’s life, and his mother died from tuberculosis when he was only 2. Edgar never really knew his biological parents: Elizabeth Arnold Poe, a British actor, and David Poe Jr., an actor who was born in Baltimore. Besides these references, be sure to pay attention for themes of sexual control and possession, isolation, and man versus nature.FULL NAME: Edgar Allan Poe BORN: JanuDIED: OctoBIRTHPLACE: Boston, Massachusetts SPOUSE: Virginia Clemm Poe (1836-1847) ASTROLOGICAL SIGN: Capricorn Early LifeĮdgar Allan Poe was born Edgar Poe on January 19, 1809, in Boston. The ending of the film feeling especially Lovecraftian, full of forces beyond human comprehension. The Lighthouse also borrows tonally from works of Gothic horror, from authors like Edgar Allan Poe and Lovecraft. It is also important to familiarize yourself with the fable of Prometheus from Greek mythology, in order to understand the final shot of the film. One should probably familiarize themselves with " The Rime of the Ancient Mariner", which the film’s plot references heavily. The Lighthouse obviously borrows from Moby Dick, but it borrows story, tone and themes from other works as well. The Lighthouse packs in many references to literature that are important to understand in order to be able to interpret it. In order to fully appreciate The Lighthouse on a first viewing, it may be worth doing some reading ahead of time. I would not at all be surprised to see an Oscar nomination for Korven. While avoiding spoilers, the ending of the film features a scene with Pattinson that breaks the conventional rules of sound design, but does so in a way that is absolutely crushing and powerful. Often the island is full of sounds that Korven and Eggers make so overpowering that silence becomes equally disturbing. The actual location also plays a large part in the sound design. The score consistently creates tension and unease, sometimes through loud blaring of the foghorn and sometimes through chilling violin. Korven and Eggers use the fog horn of the lighthouse to create a constant feeling of sensory overload and dread. Director of Music Mark Korven deserves a ton of praise here. But as the plot develops and unfolds we see the pair’s descent into madness and lunacy, and Pattinson and Dafoe’s performances are both beautiful and haunting.Īnother very impressive aspect of the film is its use of sound. We do not even learn the names of the main characters until we’ve spent at least half an hour with them (and they’ve spent two weeks together in the story). Pattinson plays the rookie keeper, who is forced to do most of the chores around the island while Dafoe hoards the light of the lighthouse to himself. His character talks with a deep accent, and Dafoe leans heavily into the seafaring captain caricature, along the lines of Moby Dick ’s Captain Ahab (bad leg and all). Dafoe takes on the role of the wicky the lighthouse keeper. Robert Pattinson and Willem Dafoe portray these two men, and both of their performances are equally spectacular. The Lighthouse revolves around the story of two lighthouse keepers working on a small and secluded New England island in the late 1800’s. The Lighthouse is a film that will keep audiences on the edge of their seats, while also allowing for discussion and multiple interpretations after a first, or fifth viewing. It’s a psychological-poetic-literary-nightmare-thriller, complete with a nostalgia for classical film and composition. It feels wholly original and unique it can’t be summarized by comparison with another film. The Lighthouse (Robert Eggers, 2019) is a film that defies comparison.
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